{"id":1303,"date":"2014-03-21T12:28:49","date_gmt":"2014-03-21T12:28:49","guid":{"rendered":"https:\/\/codexflores.ch\/index.php\/2014\/03\/21\/dissonance-125\/"},"modified":"2014-03-21T12:28:49","modified_gmt":"2014-03-21T12:28:49","slug":"dissonance-125","status":"publish","type":"post","link":"https:\/\/codexflores.ch\/index.php\/2014\/03\/21\/dissonance-125\/","title":{"rendered":"Dissonance 125"},"content":{"rendered":"<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"images\/zeitschriften_covers\/Diss-Titel-125.jpg\" border=\"0\" width=\"70\" height=\"93\" style=\"float: left; margin: 8px;\" \/>David Verdier<\/strong><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><em>La couleur des <\/em><em>Soldats<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\">Interview de Susanne Elmark, interpr\u00e8te du r\u00f4le de Marie dans <em>Die Soldaten <\/em>de Bernd Alois Zimmermann <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Thomas Kabisch<\/strong><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Poetik der musikalischen Ausf\u00fchrung<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\">\u00dcberlegungen zu Martin Widmaiers Experiment \u00ab24 achttaktige Et\u00fcden nach Fr\u00e9d\u00e9ric Chopin\u00bb<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p><strong>Germ\u00e1n Toro P\u00e9rez<\/strong><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Luc Ferrari<\/em><em> revisited<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\">Versuch einer Neueinsch\u00e4tzung von Luc Ferraris anekdotischer Kunst<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Rapha\u00ebl Cendo<\/strong><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Exc\u00e8s de geste et de mati\u00e8re<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\">La saturation comme mod\u00e8le compositionnel<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Tomasz Biernacki<\/strong><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Alien bodies<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\">Stefan Prins\u2019 aesthetics of music<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Theresa Beyer<\/strong><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Ritzenhandschriften<\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: arial,helvetica,sans-serif; font-size: small;\">DUMPF, Edition f\u00fcr experimentelle Musik<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Berichte\/Comptes rendus; Nachrufe Claudio Abbado, Ursula Holliger; Diskussion; Affaires Publiques; Nachrichten\/Nouvelles; Accents recherche; B\u00fccher\/Livres; CD\/DVD<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Verdier La couleur des Soldats Interview de Susanne Elmark, interpr\u00e8te du r\u00f4le de Marie dans Die Soldaten de Bernd&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1303","post","type-post","status-publish","format-standard","hentry","category-fachzeitschriften","entry"],"_links":{"self":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/1303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/comments?post=1303"}],"version-history":[{"count":0,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/1303\/revisions"}],"wp:attachment":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/media?parent=1303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/categories?post=1303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/tags?post=1303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}