{"id":1959,"date":"2014-12-11T09:59:50","date_gmt":"2014-12-11T09:59:50","guid":{"rendered":"https:\/\/codexflores.ch\/index.php\/2014\/12\/11\/dissonance-128\/"},"modified":"2014-12-11T09:59:50","modified_gmt":"2014-12-11T09:59:50","slug":"dissonance-128","status":"publish","type":"post","link":"https:\/\/codexflores.ch\/index.php\/2014\/12\/11\/dissonance-128\/","title":{"rendered":"Dissonance 128"},"content":{"rendered":"<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"images\/zeitschriften_covers\/Diss-Titel-128.jpg\" border=\"0\" alt=\"Cover Zeitschrift\" width=\"77\" height=\"100\" style=\"float: left; margin: 8px;\" \/>Maurice de Martin<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Expeditionen ins Ungewisse<\/em><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">Forschungsalternativen f\u00fcr die Musik aus der Sicht eines K\u00fcnstlers<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Marc Haas<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><em>La musique sans limite<\/em><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">Un entretien avec Dragos Tara<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Wanja Aloe<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Kunst im Vomitiv<\/em><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">Neun abf\u00e4llige Kadenzen<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Andreas Baumgartner<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><em>S\u00fcss und sauer <\/em><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00dcber Avantgarde und Kitsch um 1920<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>David Verdier<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><em>Vingt ans de&#8230; ?<\/em><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">Un entretien avec Nathalie Dubois et Pierre-Alain Monot \u00e0 l\u2019occasion de l\u2019anniversaire du Nouvel Ensemble Contemporain<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>Berichte\/Comptes rendus<br \/>Nachruf Konrad Boehmer<br \/> Nachrichten\/Nouvelles<br \/> Accents recherche<br \/> B\u00fccher\/Livres<br \/> CD\/DVD<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maurice de Martin Expeditionen ins Ungewisse Forschungsalternativen f\u00fcr die Musik aus der Sicht eines K\u00fcnstlers \u00a0 \u00a0 Marc Haas La&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1959","post","type-post","status-publish","format-standard","hentry","category-fachzeitschriften","entry"],"_links":{"self":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/1959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/comments?post=1959"}],"version-history":[{"count":0,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/1959\/revisions"}],"wp:attachment":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/media?parent=1959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/categories?post=1959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/tags?post=1959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}