{"id":2021,"date":"2015-01-12T09:56:11","date_gmt":"2015-01-12T09:56:11","guid":{"rendered":"https:\/\/codexflores.ch\/index.php\/2015\/01\/12\/neue-zeitschrift-fuer-musik-6-2014\/"},"modified":"2015-01-12T09:56:11","modified_gmt":"2015-01-12T09:56:11","slug":"neue-zeitschrift-fuer-musik-6-2014","status":"publish","type":"post","link":"https:\/\/codexflores.ch\/index.php\/2015\/01\/12\/neue-zeitschrift-fuer-musik-6-2014\/","title":{"rendered":"Neue Zeitschrift f\u00fcr Musik  6_2014"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"images\/zeitschriften_covers\/nzfm614.jpg\" border=\"0\" width=\"100\" height=\"141\" style=\"float: left; margin: 8px;\" \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\">Herausgegeben von Schott Music, Mainz<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Thema: \u2026 und Video <\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Stefan Drees <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Erfahrungsr\u00e4ume f\u00fcr die Opernb\u00fchne. Zur musikalisch-filmischen Musiktheaterkonzeption von Michael van der Aa <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Guido Fischer <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Muss Liebe sch\u00f6n sein! Das Ensemble Musikfabrik und Animationsfilmer Paul Barritt bringen den Comic-Klassiker \u00abKrazy Kat\u00bb auf die B\u00fchne und Leinwand <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Reinhard Kager <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Komponierte Wirklichkeit. Zur strukturellen Einbettung der Film- und Video\u00e4sthetik in Werken von Peter Ablinger und Bernhard Lang <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Dirk Wieschollek <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Mixed Reality. Zum Aspekt des Visuellen in Brigitta Muntendorfs multimedialem Komponieren <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Gordon Kampe <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> YouTube komponieren: Daf\u00fcr, damit, dagegen <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Susanne Kogler <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Aufbruch ins Offene. Zu Olga Neuwirths audiovisuellen Arbeiten <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Im Weiteren: <\/strong><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Stefan Hetzel <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Zu neu f\u00fcr die Neue Musik? Interview mit dem Komponisten Klarenz Barlow <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Stefan Fricke <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Konrad Boehmer ist tot. Ein Nachruf <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong> Dirk Wieschollek <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Heimat, die keine mehr ist\u2026 Thomas Larchers \u00abA Padmore Cycle\u00bb<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Hermann Conen <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Der Philosoph als Tiefenmusikologe. Peter Sloterdijks Beitr\u00e4ge zur Theorie des H\u00f6rens und der Musik <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Axel Petri-Preis <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Sitcom oder Oper? Bernhard Ganders \u00abDas Leben am Rande der Milchstra\u00dfe\u00bb <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Matthias R. Entre\u00df <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Raum-Musik mit Dissidenten. H. Johannes Wallmanns \u00abIch schweige nicht\u00bb <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Egbert Hiller <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> \u00abAltes\u00bb und \u00abNeues\u00bb im Blick. Das Trio Catch f\u00fchlt sich in beiden Welten zuhause <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Hans-Ulrich Werner <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Sound-Anthropologie: Klangreisen mit Steven Feld. Vom Regenwald in Neuguinea zum Metropolitan Jazz in Accra <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> <strong>Fabia Czolbe <\/strong><\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Klangtabulaturen. Osvaldo Bud\u00f3ns Konzertinstallation \u00abtablaturas espaciales\u00bb legt eine instrumentale Klanglichkeit frei <\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Notizen, Berichte<\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Urauff\u00fchrungen<\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Rezensionen<\/span><br \/><span style=\"font-family: arial,helvetica,sans-serif; font-size: small;\"> Bilder + T\u00f6ne <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Herausgegeben von Schott Music, Mainz Thema: \u2026 und Video Stefan Drees Erfahrungsr\u00e4ume f\u00fcr die Opernb\u00fchne. Zur musikalisch-filmischen Musiktheaterkonzeption von Michael&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2021","post","type-post","status-publish","format-standard","hentry","category-fachzeitschriften","entry"],"_links":{"self":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/2021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/comments?post=2021"}],"version-history":[{"count":0,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/2021\/revisions"}],"wp:attachment":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/media?parent=2021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/categories?post=2021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/tags?post=2021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}