{"id":2245,"date":"2015-04-22T07:02:35","date_gmt":"2015-04-22T07:02:35","guid":{"rendered":"https:\/\/codexflores.ch\/index.php\/2015\/04\/22\/neue-zeitschrift-fuer-musik-2-2015\/"},"modified":"2015-04-22T07:02:35","modified_gmt":"2015-04-22T07:02:35","slug":"neue-zeitschrift-fuer-musik-2-2015","status":"publish","type":"post","link":"https:\/\/codexflores.ch\/index.php\/2015\/04\/22\/neue-zeitschrift-fuer-musik-2-2015\/","title":{"rendered":"Neue Zeitschrift f\u00fcr Musik #2.2015"},"content":{"rendered":"

\u00a0<\/p>\n

\"Cover<\/p>\n

\u00a0Zerst\u00f6ren<\/span><\/strong> <\/span><\/p>\n

\u00a0<\/span><\/p>\n

\n

Gespr\u00e4ch<\/span><\/strong><\/p>\n

Eckle, Barbara <\/span>
„Im Grunde wollen wir einfach teilen, was wir lieben…“ <\/a> <\/span>
Barbara Eckle im Gespr\u00e4ch mit dem Bratschisten des JACK Quartet, John Pickford Richards<\/span><\/div>\n

\u00a0<\/span><\/div>\n
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Jubil\u00e4um<\/strong><\/span><\/p>\n

Meyer, Thomas <\/span>
 Falte um Falte <\/a> <\/span>
Boulez, der Unzug\u00e4ngliche? – Ein siebenfacher Versuch<\/span><\/div>\n

\u00a0<\/span><\/div>\n
\n

Fokus<\/strong><\/span><\/p>\n

Reinholdtsen, Trond <\/span>
 Gegen Gegenwart <\/a><\/span><\/div>\n

\u00a0<\/div>\n
\n

Orte neuer Musik<\/strong><\/span><\/p>\n

Stoll, Rolf W. <\/span>
 Im Grenzbereich zwischen den Disziplinen <\/a> <\/span>
Die Fr\u00fchjahrstagung des Instituts f\u00fcr Neue Musik und Musikerziehung Darmstadt<\/span><\/div>\n

\u00a0<\/span><\/div>\n
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Thema<\/strong><\/span><\/p>\n

Ullmaier, Johannes <\/span>
 \u00dcber Destruktion in der Musik <\/a> <\/span>
Ein Bruchst\u00fcck <\/span> <\/p>\n

Leseprobe verf\u00fcgbar<\/span><\/div>\n<\/p><\/div>\n
Drees, Stefan <\/span>
 „… and destruction after all is a form of creation“ <\/a> <\/span>
Instrumentenzerst\u00f6rung zwischen Theatralit\u00e4t und medialem Reenactment<\/span><\/div>\n
M\u00f6ller, Torsten <\/span>
 Das Perfekte und das Unperfekte <\/a> <\/span>
Zum multimedialen „Piano Concerto“ von Simon Steen-Anderson<\/span><\/div>\n
Smarzoch, Raphael <\/span>
 Der Herbst der Kl\u00e4nge <\/a> <\/span>
Musiker ergr\u00fcnden den Sound des Zerfalls<\/span><\/div>\n
Fricke, Stefan <\/span>
 Machen, immer machen, weiter machen <\/a> <\/span>
Zur Musik von Dieter Roth<\/span><\/div>\n
\u00a0<\/span><\/div>\n
\n

Neue T\u00f6ne<\/strong><\/span><\/p>\n

Scheige, Gerardo <\/span>
 Ph\u00e4nomenologie des Klangs <\/a> <\/span>
Die Musik Joanna Woznys<\/span><\/div>\n

\u00a0<\/span><\/div>\n
\n

Weltmusik<\/strong><\/span><\/p>\n

Wagner, Christoph <\/span>
 Der Song-Kollektor <\/a> <\/span>
Der Weltmusikforscher, Lieddokumentator, Volkskundler und Plattenproduzent Alan Lomax<\/span><\/div>\n

\u00a0<\/span><\/div>\n
\n

Portr\u00e4t<\/strong><\/span><\/p>\n

Schulte im Walde, Christoph <\/span>
 Vier Bl\u00e4ser, Schlagzeug und Klavier <\/a> <\/span>
Das „Ensemble:H\u00f6rsinn“ aus M\u00fcnster<\/span><\/div>\n

Hiller, Egbert <\/span>
 Von der Intuition zur Konstruktion <\/a> <\/span>
Der slowenische Komponiost Vito \u017duraj<\/span><\/div>\n
\u00a0<\/span><\/div>\n
\n

Dokumentation<\/strong><\/span><\/p>\n

Krstic, Milena <\/span>
 World music? Bitte nicht! <\/a> <\/span>
Die Sammlung des Schweizer Online-Magazins Norient<\/span><\/div>\n

\u00a0<\/span><\/div>\n
\n

Jazz<\/strong><\/span><\/p>\n

Wagner, Christoph <\/span>
 Der Zeitvermesser <\/a> <\/span>
Der Schlagzeuger Jaki Liebezeit<\/span><\/div>\n

\u00a0<\/span><\/div>\n
\n

Orte neuer Musik<\/strong><\/span><\/p>\n

Czolbe, Fabian <\/span>
 Kontrakl\u00e4nge <\/a> <\/span>
Die Kuratoren \u00fcber Konzeption und Ziele ihrer Konzertreihe<\/span><\/div>\n

\u00a0<\/span><\/div>\n
\n

Berichte, CDs, B\u00fccher<\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0Zerst\u00f6ren \u00a0 Gespr\u00e4ch Eckle, Barbara „Im Grunde wollen wir einfach teilen, was wir lieben…“ Barbara Eckle im Gespr\u00e4ch mit…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2245","post","type-post","status-publish","format-standard","hentry","category-fachzeitschriften","entry"],"_links":{"self":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/2245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/comments?post=2245"}],"version-history":[{"count":0,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/posts\/2245\/revisions"}],"wp:attachment":[{"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/media?parent=2245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/categories?post=2245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/codexflores.ch\/index.php\/wp-json\/wp\/v2\/tags?post=2245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}